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The Artists

Each art retreat is built around one exceptional artist. They are the anchor of the week — the person whose practice, whose eye, whose way of seeing will shape yours. Get to know them before you arrive at your Mallorca art retreat.

Larry Madrigal — artist at MALLORCA ART RETREAT
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Painting what matters

Larry Madrigal

4 – 10 April 2027

Larry Madrigal is a contemporary figurative painter whose narrative-driven work explores the poetry of the everyday — the quiet moments and ordinary scenes that carry unexpected weight. Working between realism and gestural expression, he builds observational studies into paintings with real presence and story. With years of teaching experience across the Americas, he brings a rare combination of technical precision and intuitive freedom to his teaching, now bringing his distinctive approach to Europe for the first time. His paintings are held in private collections worldwide.

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Nikolas Antoniou — artist at MALLORCA ART RETREAT
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The Expressive Portrait

Nikolas Antoniou

11 – 17 April 2027

Nikolas Antoniou is a painter drawn to the raw, expressive life of the human face. His work has been shown in galleries across Europe and the United States, and he has led intensive portrait workshops in Cyprus, Italy, Paris and Barcelona. Nikolas teaches the way he paints — hands-on, intuitive, and alive to the unexpected. Rather than fixed formulas, he encourages each painter to trust observation and instinct, embrace mistakes as fuel, and let go of control until their own visual language begins to speak.

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Edwige Fouvry — artist at MALLORCA ART RETREAT
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Mediterranean Seascape

Edwige Fouvry

31 October – 6 November 2027

Edwige Fouvry is a French-born painter whose landscapes and seascapes have been exhibited across Europe and the United States. She studied at the Académie des Beaux-Arts in Brussels and has spent decades painting the North Sea, the Atlantic, and the Mediterranean — each with a distinct palette and emotional register. Her work inhabits the space between abstraction and deep observation, and her teaching is intuitive, generous, and profoundly attentive to the relationship between painter and subject.

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